Pixar Animation Studios, the innovators behind Toy Story, Finding Nemo, and Ratatouille, created its latest genre-defying film with an intriguing and unorthodox question in mind: What if mankind had to leave Earth, and somebody forgot to turn off the last robot? WALL E (Waste Allocation Load Lifter-Earth Class) is this last, soulful robot. When his lonely work is interrupted by the arrival of the sleek probe-droid EVE, a rollicking adventure across the galaxy ensues. The Art of WALL E features the myriad pieces of concept art on which this fantastic, futuristic film was built, including storyboards, full-color pastels, digital and pencil sketches, character studies, color scripts, and more. Astute text-featuring quotes from the director, artists, animators, and production team-unearths the filmmakers' historical inspirations and recounts the creative process in intimate detail. This richly illustrated portal into the artistic spirit of Pixar reveals a studio confidently pushing the

Rex Ray's highly collectible artwork is coveted in design as well as art circles. His color-bursting, curvaceous art graces the walls of high-design hotels, world-class museums, and hip restaurants, yet remains, as acclaimed author Douglas Coupland puts it in his foreword, "unslick, but superslick at the same time." Abstract and handcrafted, with a retro-futuristic mid-century feel, Rex Ray's meditations on fluid forms are a rare combination of sophistication and decorative appeal. The first monograph to survey his multi-faceted work in various media including paper cutouts, mixed-media collages, paintings, digital prints, and the highly admired graphic design and music packaging that launched his visual career Rex Ray is a veritable trove of his sleek yet playful aesthetic.